PERIYA TIRUMOZHI 1.10

-
PERIYA TIRUMOZHI 1.10

PASURAMS 1038 TO 1047
TIRUVENKATAM 3

After totally surrendering himself to the lord(i.e, having done prapatti), azhvAr pleads TiruvEnkatamudaiyAn to alleviate him into the state of para and paramabakthi,  by eliminating all the hurdles that come in way, like ahankAram, mamakAram and give him the state such that he cannot sustain in the absence of the lord.

1038.kaNNAr kadal sUzh ilangaikku iRaivanthan
thiNNAgam piLakkach charam sela uyththAy!
viNNOr thozhum vEngada mAmalai mEya
aNNA! adiyEn idaraik kaLaiyAyE (1)

RAMAVATARAM
1038. RAvaNa the king of the island Lanka surrounded by ocean, had obtained an indestructible body on account of several boons. Lord Rama worshipped by the celestials, in rAmAvatAram, with his divine bow severed the body of RAvaNa. 
This Lord, who is the kinship in all ways to the mankind, eternally resides in tiruvEnkaTam. I, who is your servitor, plead  you Oh! Lord, to relieve me of all the hurdles (1)

Comments

Post a Comment

Popular posts from this blog

TIRUCHANDAVIRUTTAM TANIYANS

-
*TIRUCHANDAVIRUTTAM TANIYANS* BY TIRUKACHCHI NAMBIGAL These are two laudatory verses about the divine kshetram and the  glory of tirumazhisai AzhvAr. தருச்சந்த பொழில்தழுவு தாரணியின் துயர்தீர  திருச்சந்த விருத்தம்செய் திருமழிசை பரன்வருமூர் |  கருச்சந்தும் காரகிலும் கமழ் கோங்கும் மணநாரும்  திருச்சந்தத் துடன் மருவு திருமழிசை வளம்பதியே ||(1) taruchchanda pozhiltazhuvu tAraNiyin tuyarteera  tiruchchanda viruttamchey tirumazhisai paranvarumoor |  karuchchandum kAragilum kamazh kONgum maNanArum  tiruchchandattuDan maruvu tirumazhisai vaLampadiyE || One || These four lines can be explained in the form of a query and an answer. Which is the place of birth of Tirumazhisai AzhvAr who has given this Prabandam Tiruchchandaviruttam inorder to relieve the sufferings of the people of this world surrounded by groves filled with karpaga and sandalwood trees (taru-chanda)? The last two lines gives the answer. It is none other than the place where the Goddess of wealth SR...
Read more

KANNINUN SIRUTAMBU

-
KANNINUN SIRUTAMBU PASURAMS 937 - 947 Madhurakavi azhvAr in these 11 verses talks in detail about his reverence to his AchArya. It is generally said that, one should not pronounce the mantram taught openly to others, but talk and propagate the glory of the guru or AchArya who taught us the mantrAs. Madhurakavi AzhvAr having found his guru in Nammazhwar propounded about his greatness and the pleasure attained thereafter. 937.kaNNi nuN chiRuththAmbinAl  kattuNNap
paNNiya peru mAyan  en appanil
naNNith then kurugUr nambi enRakkAl
 aNNikkum amudhURum en nAvukkE (1) (2) 937. This wondrous lord (perumAyan), kaNNan, made himself accessible to be tied with a thin knotted, not so long a rope (kaNNi nuN chiRuththAmbinAl).  My tongue and taste buds becomes sweet and nectarine, the moment I refer and utter the name of my AchAryan ,virtuous in all ways, who manifested himself moving closer to me from my father (enappan - referring to kaNNan), in this  beautiful place of tirukkuru...
Read more

PERUMAL TIRUMOZHI - 9*

-
*PERUMAL TIRUMOZHI 9* *PASURAMS 730—740* *Van tALiNai* (thanayan vanam pugath dhasarathan pulambudhal) In this decade AzhvAr talks about the misfortune of king dasharathA. He thinks that, there can be none like DasarathA, who would have    suffered to this extent, the separation of rAma. DasarathA's grief and regret of sending rAma to the forest is vividly explained here. 730 * vanthALiniNai vaNangki vaLanagaram thozhudhEththa * mannanAvAn ninRAyai * ariyaNai mEl irundhAyai * nedungkAnam padarap pOgu enRAL ** em irAmAvO! * unaip payandha kaikEsi than soRkEttu * nanRAga nAnilaththai ALviththEn * nanmaganE! unnai nAnE (1) 730. Oh! My dear son rAma! Getting to know the excitement of the entire subjects of Ayodhya and the chieftains, who respect you, greet you and honour you by falling at your feet, on making you the next heir to the throne, I got overwhelmed in making all the arrangements for crowning you. Later listening to the words of kaikeyi, I had to dethrone you and send yo...
Read more

MADURAKAVI AZHVAR THANIYANS

-
MADURAKAVI AZHVAR THANIYANS BY SRI NATHAMUNI  *TANIYAN 1* अविदित विषयान्तर: शठारॆ: उपनिषदाम् उपगान-मात्र-भोग: । अपि च गुणवशात् तदेकशॆषी मधुरकवि: हृदये ममाविरस्तु ॥ அவிதித விஷயாந்தர: ஶடாரே: உபநிஷதாம் உபகாந-மாத்ர-போக:| அபி ச குணவஶாத் ததேகஶேஷீ மதுரகவி: ஹ்ருதயே மமாவிரஸ்து || avidita viShayAntara: SaThArE: upaniShadAm upagAna-mAtra-bhoga:| api cha guNavashAt tadEkashEShee madhurakavi: hRudaye mamAvirastu || With an undeviated and a steadfast mind, madhurakavi AzhvAr considered singing with a tune, nammAzhvAr’s divine verses based on the four vEdic hymns, as his greatest pleasure and enjoyment. In addition he considered nammAzhvAr as his supreme lord and master (sEshi).  I wish and pray that madhurakavi AzhvAr’s memory be ever present in my mind.  *TANIYAN 2* வேறொன்றும் நானறியேன் வேதம்தமிழ்செய்த மாறன் சடகொபன் வண்குருகூர் - ஏறெங்கள் வாழ்வாம் என்றேத்தும் மதுரகவியார் எம்மை ஆள்வார் அவரே அரண். vERonRum nAnaRiyEn vEdam tamizh cheyda mARan saDakopan vaN kurukUr ERengaL vAzhvAm enREttu...
Read more

TIRUPPAVAI TANIYANS

-
 TIRUPPAVAI TANIYANS tiruppAvai taniyans *Shri parAsara Bhattar taniyan* நீளாதுங்க ஸ்தநகிரி தடீஸுப்த முத்போத்ய க்ருஷ்ணம் பாரார்த்யம் ஸ்வம் ஸ்ருதி ஸதஸிரஸ்ஸித்த மத்யாபயந்தீ ஸ்வோச்சிஷ்டாயாம் ஸ்ரஜி நிகளிதம் யா பலாத்க்ருத்ய புங்க்தே கோதாதஸ்யை நம இதமிதம் பூய ஏவாஸ்துபூய neeLaa tunga sthana giri thaTI supta mudhbOdhya krishnam paaraarthyam sthvam sruti sada siras siddham adhyaa bhayanthee| svOchchishaTaayaam sraji nigaLitam yaabalaathkruthya bhungtE gOdaa thasyay nama idamidham bhooya Evaastu bhooya: || May I offer my obeisance again and again to Goddess ANDAL called GOdhA who awakened Lord KrishNA resting with NEELA alias Nappinnai PirATTi,  the embodimentt of gyAna and vairAgya. GOdA explained to Lord KrishNa her dependence on the Parabrahman as established in VedAs and Upanishads; and how she attained Him after binding Him with flower-wreaths that were already worn by her.  *Shri uyyakkoNDAr's taniyan*. அன்ன வயற்புதுவை ஆண்டாள் அரங்கற்குப்   பன்னு திருப்பாவைப் பல்பதியம்- இ...
Read more

PERIYA TIRUMOZHI – 1.2

-
Image
PERIYA TIRUMOZHI – 1.2 PASURAMS 958 TO 967 *TIRUPIRITI,JOSHI MUTT, UTTARAKHAND*  PARAMAPURUSHA PERUMAL MANGALASHASANAM Exhibiting his utmost compassionate quality ( nirhethuka krupa- நிர்ஹேதுக க்ருபா) EmperumAn pulled AzhvAr from this samsAric bondage and gave the mantropadesam. Further, to reveal himself in a form that is easily accessible to anyone at anytime, he established himself in various ksEtams in archA form (idol form). AzhvAr starts his travel with TIRUPIRITI ksEtram in the himAlayAs and felicitates the lord along with the breathtaking scenes in the background  958. vAli mAvalaththu oruvanadhu udalkeda varisilai vaLaiviththu anRu Elam nARu thaN thadam pozhil idampeRa irundha nal imayyaththuL Ali mAmugil adhirthara aruvarai agaduRa mugadERi peeli mAmayil nadanjeyum thadanjunaip piridhi senRadai nenjE (1) (2) 958. My dear heart! Go and reach the abode of ‘TIRUPIRITI’, with its natural springs, in the breathtaking himAlayan region, covered with gigantic water bearing ...
Read more

PERUMAL TIRUMOZHI 10

-
PERUMAL TIRUMOZHI 10 PASURAMS 741 TO 751   angkan nedDumadil   *RAMAYANA SANGRAHAM* kulasEkara perumAl moves from Vibhava form ( the incarnation state) to archa form (the idol state). Reminded of GOVINDARAJA PERUMAL of TILLAI NAGARAM, he sees him as rAma of chitrakooTam and wishes to sing about rAma. Hence this kshEtram is known as *TIRUCHITTIRAKOODAM* also referred as “punDareekapuram”. He sings the essence of entire rAmAyaNa in this decade. As this Azhwar is so much engrossed with rAma and this entire Tirumozhi is about rAmAyaNa, it is called RAMAYANA SANGRAHAM.   741 SHRI RAMA JANANAM (BALA KANDAM) 741 * angkaNedu madhiL pudai sUzh ayOdhdhi ennum * aNi nagaraththu ulaganaiththum viLakkum sOdhi * vengkadhirOn kulaththukkOr viLakkAyth thOnRi * viN muzhudhum uyak koNda vIran thannai ** sengkaNedung karumugilai irAman thannaith * thillainagarth thiruchchithrakUdam thannuL * engkaL thani mudhalvanai emperumAn thannai * enRu kolO! kaN kuLirak kANum nALE (2) (1) In the world’...
Read more