AZHVARS WORKS WITH THE CORRESPONDING DIVYADESAM

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Divya Prabandham

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Divya Prabandham also called Nalaayira Divya prabandham consists of nearly 4000 hymns.  These 4000 Tamil verses are composed by 12 Tamil poet-saints called Azhwars who were immersed in their devotion to Lord Vishnu. The 12 Azhwars sang these songs about various sacred shrines and the presiding Deity of the shrine, that came to be known as the Divya Desams. There are 108 Divya Desams. 105 in India, 1 in Nepal  and the last two believed to be beyond the Earthly realms. The 12 Azhwars Poigai azhwar Boothath azhwar Peyazhwar Thirumazhisai azhwar Nammazhwar Madhurakavi azhwar Kulasekara azhwar Peri azhwar  Andal  Thondaradipodi azhwar Thiruppan azhwar Thirumangai azhwar       The Nalaayira Divya Prabandham also known as “DRAVIDA VEDAM” or “TAMIL VEDAM” became lost after the period of the Azhwars. Later it was the scholar-saint and Acharya “NATHAMUNI “ who in the 10th century retrieved and compiled this treasure in the present form which’s the pride of ...
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THIRUPPAVAI - PASURAM 1

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THIRUPPAVAI PASURAM 1 Andal assumes herself to be the cowherdess of  ‘AyarpAdi’, awakens her peers to follow a certain discipline in view of attaining everlasting happiness and service to the Lord. Eventually selecting the month of “MARGAZHI” and as a monthlong process she sang 30 pAsurams (one for each day) for the “PAVAI NONBU”, called “THIRUPPAVAI”. Each pAsuram ends with the special phrase “ELOr EmpAvAi”, meaning Oh, my dear friends which is the speciality of ThiruppAvai. 474.mArgazhit tingaL, madi niRainDa nannALAl *  nIrADap pOduvIr! pOduminO nErizhaiyIr! *  sIr malgum AyppADich selvach siRumeergAL! *  kUrvEl koDuntozhilan nandagOpan kumaran **  ErArnda kaNNi, yasOdai iLanjchingam *  kArmEnich sengaN kadir madiyam pOl mugattAn *  nArAyaNanE namakkE paRai taruvAn *  pArOr pugazhap paDindElOr empAvAy (1) 1.MARGAZHI THINGAL. The First PAsuram is the introduction, where she invites all her companions for this PAvai NOnbu. As it is the first full...
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The 12 AzhvArs

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Now let us get some details of the Azhwars. Poigai Azhwar , Boothath Azhwar and Pey Azhwar are the first three Azhwars referred to as  Mudhal Azhwars They were contemporaries who were born in the same Tamil month of Aippasi on successive Tuesday, Wednesday and Thursday, in the constellations of Tiruvonam, Avittam and Sadhayam.   1) Poigai Azhwar , an incarnation of Panchajanyam, the divine conch of Lord Vishnu appeared on the lotus bud in a pond in Tiruvekka near Kanchipuram. 2) Boothath Azhwar , an incarnation of Kaumodhaki (the Gada) the divine mace of Lord Vishnu appeared in a Kurukkatti flower in Mahabalipuram. 3) Pey Azhwar , an incarnation of Nandaki, the divine sword of Lord Vishnu appeared in a red lily in the well of the temple of Adhikesava Perumal at Mylapore, Madras. 4) Thirumazhisai azhwar an incarnation of SUDARSHANA , the Divine Disc of Lord Vishnu was born during the same period of Mudhal azhwar (7thcentury). His star is    Makham and born in t...
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PERUMAL TIRUMOZHI - 7

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PERUMAL TIRUMOZHI - 7 PASURAMS 708 TO 718 Alai neeL karumbu According to various circumstances and the state of mind one is in, one can enjoy Lord in different kinds of relationship, like husband and wife, mother and child, teacher and student or as two friends. Here in this tirumozhi, the motherly instinct of AzhwAr becomes prominent. Not finding his child close to him, he personifies himself as Devaki and tries to reminiscence each and every stage of kaNNan's childhood. The time frame here is that, Devaki laments this when she sees KaNNan after He frees her on the death of Kamsa. THE CRADLE STAGE: [New born] 708 * AlainIL karumbannavan thAlO * ambuyath thadangkaNNinan thAlO * vElainIr niRaththannavan thAlO * vEzhap pOdhaga mannavan thAlO ** ElavArkuzhal en magan thAlO * enRenRu unnai en vAyidai niRaiya * thAloliththidum thiruvinai illAth * thAyaril kadaiyAyina thAyE(2) (1) 708 Oh my child!, who is like the well grown sugarcane ready to be sent to the factory for juice extraction,...
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PERIYAZHWAR THIRUMOZHI* - 4.9

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 PERIYAZHWAR THIRUMOZHI* *412 TO 422* *Maravadiyay*..*.4.9* Azhwar dedicates yet another decade about the greatness of Tiruvarangam [Srirangam]. The moolavar is pEriya perumal, utsavar namperumal and thAyAr is ranganAyaki. 412:## maravadiyai thambikku vaan paNaiyam vaiththuppOy* vaanOr vaazha* seruvudaiya thisaik karumam thiruththi vandhu ulahaaNda* thirumaal kOyil thiru vadithan thiru uruvum* thirumangai malar kaNNum kaatti n^inRu* uruvudaiya malar n^eelam kaaRRaatta* O! salikkum oLiyarangamE. (2) 1. 412.  Lord rAma pledged (வான்பணையம்) His pAdukAs *[maRavadiyay]*by handing it over to His brother BharatA to rule Ayodhya until He returned from exile. For protecting the dEvas, He marched towards the south killing rAvaNa and giving the kingdom to Vibheeshana, returned back and ruled the world for several years. This ruler resides in this kshetram Tiruvarangam with HIS consort Mahalakshmi where the beautiful Neelam flowers that represents the colour of perumAl’s physique and Pira...
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TIRUPALLIYEZHUCHCHI

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*TIRUPALLIYEZHUCHCHI 1-5* *PASURAMS 917 TO 921* EmperumAn, with his "niravatika krupa" and sankalpam decided to enlighten AzhvAr from his engulfed sleep of ignorance for ages and through him, make the people of the world realise that the means and goal is none other than EmperumAn himself. Upon gaining the realisation, AzhvAr drew himself closer to EmperumAn  and finding him to be meditating upon (in his yOganidra) how to draw all other jeevAs as well, he initiates to wake him up by singing *tiruppalliyezhuchi* in the similar way, how nammAzhvAr, AndAL and vishvAmitrar did and relish in the beautiful experience. Every pAsuram ends with the phrase(  arangaththammA! paLLi ezhundharuLAyE / அரங்கத்தம்மா! பள்ளி எழுந்தருளாயே ). The beauty of the dawn and the early morning scene is vividly portrayed in all these 10 verses.  917.** kadhiravan guNa thisaich sigaram vandhu aNaindhAn * gana iruL aganRadhu kAlai ampozhudhAy * madhu virindhu ozhugina mAmalar ellAm * vAnavar arasargaL ...
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TIRUCHCHANDAVIRUTTAM 97 TO 108

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TIRUCHCHANDAVIRUTTAM 97 TO 108 PASURAMS 848 TO 859. Surrendering himself to the lord, AzhvAr seeks His grace for total liberation from this samsAric world. 848.Azhi Sangu taNDu villum vALum Endu Seer kaiyya Seyya pOdil mAdu SErum mArba nAdanE | aiyilAya Akkai nOi aruttu vandu ninnaDaindu uivadOr upAyam nee enakku nalha vENDumE || (97) 848. Oh! Lord, possessing the divine hands that is the seat of the protecting weapons, such as the fiery disc, the divine conch, the mace, the divine sArnga bow and nandaka the sword against all kinds of enemies, Oh! Lord, having the divine chest( vakshathalam ), which is the eternal seat of the lotus born Periya  pirATTi , Oh! Lord of lords, I pray, you grant this adherent devotee of yours, the means (upAyam) of attaining you, shedding my body which is room to all diseases and get liberated thereby.  AzhvAr's  apt choice of mentioning the five divine weapons (panchAyudam) that can fight the obstructions to reach him and pirATTi who serves a...
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