AZHVARS WORKS WITH THE CORRESPONDING DIVYADESAM

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Divya Prabandham

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Divya Prabandham also called Nalaayira Divya prabandham consists of nearly 4000 hymns.  These 4000 Tamil verses are composed by 12 Tamil poet-saints called Azhwars who were immersed in their devotion to Lord Vishnu. The 12 Azhwars sang these songs about various sacred shrines and the presiding Deity of the shrine, that came to be known as the Divya Desams. There are 108 Divya Desams. 105 in India, 1 in Nepal  and the last two believed to be beyond the Earthly realms. The 12 Azhwars Poigai azhwar Boothath azhwar Peyazhwar Thirumazhisai azhwar Nammazhwar Madhurakavi azhwar Kulasekara azhwar Peri azhwar  Andal  Thondaradipodi azhwar Thiruppan azhwar Thirumangai azhwar       The Nalaayira Divya Prabandham also known as “DRAVIDA VEDAM” or “TAMIL VEDAM” became lost after the period of the Azhwars. Later it was the scholar-saint and Acharya “NATHAMUNI “ who in the 10th century retrieved and compiled this treasure in the present form which’s the pride of ...
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KANNINUN SIRUTAMBU

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KANNINUN SIRUTAMBU PASURAMS 937 - 947 Madhurakavi azhvAr in these 11 verses talks in detail about his reverence to his AchArya. It is generally said that, one should not pronounce the mantram taught openly to others, but talk and propagate the glory of the guru or AchArya who taught us the mantrAs. Madhurakavi AzhvAr having found his guru in Nammazhwar propounded about his greatness and the pleasure attained thereafter. 937.kaNNi nuN chiRuththAmbinAl  kattuNNap
paNNiya peru mAyan  en appanil
naNNith then kurugUr nambi enRakkAl
 aNNikkum amudhURum en nAvukkE (1) (2) 937. This wondrous lord (perumAyan), kaNNan, made himself accessible to be tied with a thin knotted, not so long a rope (kaNNi nuN chiRuththAmbinAl).  My tongue and taste buds becomes sweet and nectarine, the moment I refer and utter the name of my AchAryan ,virtuous in all ways, who manifested himself moving closer to me from my father (enappan - referring to kaNNan), in this  beautiful place of tirukkuru...
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TIRUCHANDAVIRUTTAM TANIYANS

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*TIRUCHANDAVIRUTTAM TANIYANS* BY TIRUKACHCHI NAMBIGAL These are two laudatory verses about the divine kshetram and the  glory of tirumazhisai AzhvAr. தருச்சந்த பொழில்தழுவு தாரணியின் துயர்தீர  திருச்சந்த விருத்தம்செய் திருமழிசை பரன்வருமூர் |  கருச்சந்தும் காரகிலும் கமழ் கோங்கும் மணநாரும்  திருச்சந்தத் துடன் மருவு திருமழிசை வளம்பதியே ||(1) taruchchanda pozhiltazhuvu tAraNiyin tuyarteera  tiruchchanda viruttamchey tirumazhisai paranvarumoor |  karuchchandum kAragilum kamazh kONgum maNanArum  tiruchchandattuDan maruvu tirumazhisai vaLampadiyE || One || These four lines can be explained in the form of a query and an answer. Which is the place of birth of Tirumazhisai AzhvAr who has given this Prabandam Tiruchchandaviruttam inorder to relieve the sufferings of the people of this world surrounded by groves filled with karpaga and sandalwood trees (taru-chanda)? The last two lines gives the answer. It is none other than the place where the Goddess of wealth SR...
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PERUMAL TIRUMOZHI - 9*

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*PERUMAL TIRUMOZHI 9* *PASURAMS 730—740* *Van tALiNai* (thanayan vanam pugath dhasarathan pulambudhal) In this decade AzhvAr talks about the misfortune of king dasharathA. He thinks that, there can be none like DasarathA, who would have    suffered to this extent, the separation of rAma. DasarathA's grief and regret of sending rAma to the forest is vividly explained here. 730 * vanthALiniNai vaNangki vaLanagaram thozhudhEththa * mannanAvAn ninRAyai * ariyaNai mEl irundhAyai * nedungkAnam padarap pOgu enRAL ** em irAmAvO! * unaip payandha kaikEsi than soRkEttu * nanRAga nAnilaththai ALviththEn * nanmaganE! unnai nAnE (1) 730. Oh! My dear son rAma! Getting to know the excitement of the entire subjects of Ayodhya and the chieftains, who respect you, greet you and honour you by falling at your feet, on making you the next heir to the throne, I got overwhelmed in making all the arrangements for crowning you. Later listening to the words of kaikeyi, I had to dethrone you and send yo...
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PERUMAL TIRUMOZHI 10

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PERUMAL TIRUMOZHI 10 PASURAMS 741 TO 751   angkan nedDumadil   *RAMAYANA SANGRAHAM* kulasEkara perumAl moves from Vibhava form ( the incarnation state) to archa form (the idol state). Reminded of GOVINDARAJA PERUMAL of TILLAI NAGARAM, he sees him as rAma of chitrakooTam and wishes to sing about rAma. Hence this kshEtram is known as *TIRUCHITTIRAKOODAM* also referred as “punDareekapuram”. He sings the essence of entire rAmAyaNa in this decade. As this Azhwar is so much engrossed with rAma and this entire Tirumozhi is about rAmAyaNa, it is called RAMAYANA SANGRAHAM.   741 SHRI RAMA JANANAM (BALA KANDAM) 741 * angkaNedu madhiL pudai sUzh ayOdhdhi ennum * aNi nagaraththu ulaganaiththum viLakkum sOdhi * vengkadhirOn kulaththukkOr viLakkAyth thOnRi * viN muzhudhum uyak koNda vIran thannai ** sengkaNedung karumugilai irAman thannaith * thillainagarth thiruchchithrakUdam thannuL * engkaL thani mudhalvanai emperumAn thannai * enRu kolO! kaN kuLirak kANum nALE (2) (1) In the world’...
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PERIYAZHWAR TIRUMOZHI - 4.5

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 PERIYAZHWAR TIRUMOZHI - 4.5 PASURAMS 371 - 380 4.5 - AASAIVAI Azhwar's advise.  Here Azhwar advises to involve in nAma sankeertanam and hence  name our children after HIS divine name so that we utter his nAmam automatically. 371:## aasaivaay senRa sindhaiyaraahi* annai aththan enpuththirar boomi* vaasavaar kuzhalaaL enRu mayaNGgi* maaLum ellaik kaNvaay thiRavaadhE* kEsavaa! purushOththamaa! enRum* kEzhalaakiyakEdilee! enRum* pEsuvaaravar eydhum perumai* pEsuvaan puhil n^am paramanRE. (2) 1. 371. Even as the soul is leaving the body, do not let your mind  waver  and lament - “my mother, father, children, land and my wives with fragrant hair”, instead cry out KESAVA, PURUSHOTHAMA, THE BLEMISHLESS VARAHA MOORTHY!!. No words can explain the bliss that one gets by chanting these names. (1) 372: seeyinaal seRindhERiya puNmEl*seRRalERik kuzhambirundhu* eNGgum- eeyinaal arippuNdu mayaNGgi*ellai vaay senRu sErvadhan munnam* vaayinaal n^amO n^aaraNaa venRu*maththahaththi...
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MADURAKAVI AZHVAR THANIYANS

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MADURAKAVI AZHVAR THANIYANS BY SRI NATHAMUNI  *TANIYAN 1* अविदित विषयान्तर: शठारॆ: उपनिषदाम् उपगान-मात्र-भोग: । अपि च गुणवशात् तदेकशॆषी मधुरकवि: हृदये ममाविरस्तु ॥ அவிதித விஷயாந்தர: ஶடாரே: உபநிஷதாம் உபகாந-மாத்ர-போக:| அபி ச குணவஶாத் ததேகஶேஷீ மதுரகவி: ஹ்ருதயே மமாவிரஸ்து || avidita viShayAntara: SaThArE: upaniShadAm upagAna-mAtra-bhoga:| api cha guNavashAt tadEkashEShee madhurakavi: hRudaye mamAvirastu || With an undeviated and a steadfast mind, madhurakavi AzhvAr considered singing with a tune, nammAzhvAr’s divine verses based on the four vEdic hymns, as his greatest pleasure and enjoyment. In addition he considered nammAzhvAr as his supreme lord and master (sEshi).  I wish and pray that madhurakavi AzhvAr’s memory be ever present in my mind.  *TANIYAN 2* வேறொன்றும் நானறியேன் வேதம்தமிழ்செய்த மாறன் சடகொபன் வண்குருகூர் - ஏறெங்கள் வாழ்வாம் என்றேத்தும் மதுரகவியார் எம்மை ஆள்வார் அவரே அரண். vERonRum nAnaRiyEn vEdam tamizh cheyda mARan saDakopan vaN kurukUr ERengaL vAzhvAm enREttu...
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