AZHWARS WORKS WITH THE CORRESPONDING DIVYADESAM

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Divya Prabandham

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Divya Prabandham also called Nalaayira Divya prabandham consists of nearly 4000 hymns.  These 4000 Tamil verses are composed by 12 Tamil poet-saints called Azhwars who were immersed in their devotion to Lord Vishnu. The 12 Azhwars sang these songs about various sacred shrines and the presiding Deity of the shrine, that came to be known as the Divya Desams. There are 108 Divya Desams. 105 in India, 1 in Nepal  and the last two believed to be beyond the Earthly realms. The 12 Azhwars Poigai azhwar Boothath azhwar Peyazhwar Thirumazhisai azhwar Nammazhwar Madhurakavi azhwar Kulasekara azhwar Peri azhwar  Andal  Thondaradipodi azhwar Thiruppan azhwar Thirumangai azhwar       The Nalaayira Divya Prabandham also known as “DRAVIDA VEDAM” or “TAMIL VEDAM” became lost after the period of the Azhwars. Later it was the scholar-saint and Acharya “NATHAMUNI “ who in the 10th century retrieved and compiled this treasure in the present form which’s the pride of ...
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 NACHCHIYAR TIRUMOZHI 10 PASURAMS 597 – 605 kArkODal pookkAL.. Talking about monsoon and it’s traits, even in this decade AndAl talks of how certain flowers influence her mood taking advantage of her solitude. Wondering, how to sustain life ahead, she consoles herself that, being the daughter of periyAzhvAr will surely lead her to Him. PurushakAratvam is what she is trying to explain in this decade. PurushAkaram in simple language means, the help that is rendered or obtained to reach the eternal goal ( I.e nearness to God) 597 * kArkkOdal pUkkAL! * kArkkadal vaNNan en mEl *  ummaip pOrkkOlam seydhu * pOra viduththavan engkutRAn? **  ArkkO ini nAm * pUsal iduvadhu? *  aNi thuzhAyth thArkkOdum nenjcham thannaip * padaikka vallEn andhO! (2) (1) 597)Oh! Dear dark blue hued kODal flowers! (blue flame lilly). Where is my dark  ocean hued kaNNan present? Has He sent you all to  aggravate my already anxious mind with the blue colour of yours that is very similar to...
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NACHCHIYAR TIRUMOZHI 14

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NACHCHIYAR TIRUMOZHI 14 PASURAMS 637 to 646 *paTTi mEyndOr* After all the hardships that AndAl faced in uniting with the Lord, that she explained starting from " thaiyoru thingkaLum “, finally she gets relieved by having a darshan of the Lord when He shows up, which she explains interestingly in this last decade, as a conversation between herself and her gopika friends. AndAl, in the first half of each pAsuram putsforth a question asking,  "have you seen (கண்டீரே) kaNNan?" describing about Him. The later half comes as an answer saying (விருந்தாவனத்தே கண்டோமே) " *virundAvanaTTE kaNDOmE"* by the gopis. The essence of 'paramabakthi ' required to attain Him and the resultant 'pErinbam' attained out of it are clearly explained here.   637 * patti mEyndhOr kArERu * baladhEvaRku Or kIzhk kanRAy *  ittIRittu viLaiyAdi * ingkE pOdhak kaNdIrE? ** ittamAna pasukkaLai * inidhu maRiththu nIrUtti * vittuk koNdu viLaiyAda * virundhAvanaththE kaNdOmE (2) (1) (6...
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PERUMAL TIRUMOZHI - 7 PASURAMS 708 TO 718 Alai neeL karumbu According to various circumstances and the state of mind one is in, one can enjoy Lord in different kinds of relationship, like husband and wife, mother and child, teacher and student or as two friends. Here in this tirumozhi, the motherly instinct of AzhwAr becomes prominent. Not finding his child close to him, he personifies himself as Devaki and tries to reminiscence each and every stage of kaNNan's childhood. The time frame here is that, Devaki laments this when she sees KaNNan after He frees her on the death of Kamsa. THE CRADLE STAGE: [New born] 708 * AlainIL karumbannavan thAlO * ambuyath thadangkaNNinan thAlO * vElainIr niRaththannavan thAlO * vEzhap pOdhaga mannavan thAlO ** ElavArkuzhal en magan thAlO * enRenRu unnai en vAyidai niRaiya * thAloliththidum thiruvinai illAth * thAyaril kadaiyAyina thAyE(2) (1) 708 Oh my child!, who is like the well grown sugarcane ready to be sent to the factory for juice extraction,...
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THIRUPPAVAI - PASURAM 1

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THIRUPPAVAI PASURAM 1 Andal assumes herself to be the cowherdess of  ‘AyarpAdi’, awakens her peers to follow a certain discipline in view of attaining everlasting happiness and service to the Lord. Eventually selecting the month of “MARGAZHI” and as a monthlong process she sang 30 pAsurams (one for each day) for the “PAVAI NONBU”, called “THIRUPPAVAI”. Each pAsuram ends with the special phrase “ELOr EmpAvAi”, meaning Oh, my dear friends which is the speciality of ThiruppAvai. 474.mArgazhit tingaL, madi niRainDa nannALAl *  nIrADap pOduvIr! pOduminO nErizhaiyIr! *  sIr malgum AyppADich selvach siRumeergAL! *  kUrvEl koDuntozhilan nandagOpan kumaran **  ErArnda kaNNi, yasOdai iLanjchingam *  kArmEnich sengaN kadir madiyam pOl mugattAn *  nArAyaNanE namakkE paRai taruvAn *  pArOr pugazhap paDindElOr empAvAy (1) 1.MARGAZHI THINGAL. The First PAsuram is the introduction, where she invites all her companions for this PAvai NOnbu. As it is the first full...
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PERIYAZHVAR TIRUMOZHI - 3.6

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 PERIYAZHVAR TIRUMOZHI - 3.6 PASURAMS 275 – 285 The glory of kaNNan playing the flute. 275: naavalam periya theevinil vaazhum* naNGgaimeer_kaaL! idhu Or aRpudham kELeer* thoovalam puriyudaiya thirumaal* thooyavaayil kuzhalOsai vazhiyE* kOvalar siRumiyar iLaNGgoNGgai- kudhuhalippa* udaluLavizhndhu* eNGgum- kaavalum kadandhu kayiRumaalaiyaaki* vandhu kavizhndhu n^inRanarE.* (2) (1) 275. Oh beautiful girls who live in the island of jambudweepa (nAvalan teevu)! Come and listen to this wonder!! The consort of MahAlakshmi, holding the pure, right coiled conch (valampuri), is now playing the flute keeping it on His purest lips. The girls of AyarpAdi lost themselves listening to the mesmerising tunes . As their emotions rose high, they started going towards the music leaving their boundaries and they all joined together like flowers of a string to listen to the music. Seeing kaNNan playing the flute they put their heads down in shame. (1) 276: idavaNarai idaththOLodu saayththu* iruhai kood...
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PERUMAL THIRUMOZHI 3

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PERUMAL THIRUMOZHI 3 Pasurams ( 668 - 676)  meyyil vAzhkkaiyai' AzhvAr explains in this decade that,  his interest towards this samsAric life and thereby the samsAris has diminished , rather turned towards Bhagavat  and bhAgavatA kainkaryam. 668 * meyyil vAzhkkaiyai * meyyenak koLLum *  iv vaiyam thannodum * kUduvadhillai yAn **  aiyanE! * arangkA! enRu azhaikkinREn *  maiyal koNdozhindhEn * endhan mAlukkE (1) 668 Oh! Lord, my master, Sri ranganAtha  (ayyanE! arangA!), chanting your nAmA, I stand captivated by your affection towards me. I shall not be mingling with those people who, giving importance to this materialistic world prioritise  their life here (not realising that this world is not true, rather an illusion). (1)  669 nUlinEr idaiyAr * thiRaththE niRkum *  njAlam thannodum * kUduvadhillai yAn **  AliyA azhaiyA * arangkA! enRu *  mAlezhundhu ozhindhEn * endhan mAlukkE (2) 669. I shall not keep any acquaintance with the...
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